After his release from the hospital in the 1970s, Williams wrote plays, a memoir, poems, short stories and a novel. In 1975 he published MEMOIRS, which detailed his life and discussed his addiction to drugs and alcohol, as well as his homosexuality. In 1980 Williams wrote CLOTHES FOR A SUMMER HOTEL, based on the lives of Zelda and F. Scott Fitzgerald. Only three years later, Tennessee Williams died in a New York City hotel filled with half-finished bottles of wine and pills. It was in this desperation, which Williams had so closely known and so honestly written about, that we can find a great man and an important body of work. His genius was in his honesty and in the perseverance to tell his stories.
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Let’s look at another example, from The Sun Also Rises (1926). The narrator is hoping to see the bulls at Pamplona. Joining a crowd of spectators he rushes ahead with them to the bullring. At this point Hemingway speeds up the pace: “I heard the rocket and I knew I could not get into the ring in time to see the bulls come in, so I shoved through the crowd to the fence.” The absence of a comma before the word and increases the tempo, conveying some of the feeling of being in the crowd.
Omitting commas can be a tricky business because such omissions can sometimes make sentences confusing, so this is a technique you don’t want to overuse. But when you come to a section of your story where the action needs to move at a quicker pace, you may wish to try Hemingway’s trick of speeding up the sentences. You’ll leave other writers in the dust.
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